Published : 2021 || Format : print || Location : Colombia ☆ ☆ ☆ ☆ ☆ What was it about the country that kept everyone hostage to its fantasy? The previous month, on its own soil, an American man went to his job at a plant and gunned down fourteen coworkers, and last spring alone there were four different school shootings. A nation at war with itself, yet people still spoke of it as some kind of paradise.. Thoughts : Infinite Country follows two characters - young Talia, who at the beginning of this book, escapes a girl’s reform school in North Colombia so that she can make her previously booked flight to the US. Before she can do that, she needs to travel many miles to reach her father and get her ticket to the rest of her family. As we follow Talia’s treacherous journey south, we learn about how she ended up in the reform school in the first place and why half her family resides in the US. Infinite Country tells the...
We packed our trunks and suitcases, prepared for our natural and necessary moves away from home. Outwardly, we breathed sighs of relief at the somber comfort of growing up. Inwardly, we held our breath and tried to stand as still as possible, afraid we might be the only ones who didn’t yet feel the promised calm of adulthood.
When I first heard of this book, I was barely interested in it. It sounded like a cliched YA fiction to me. But some reviews (I'm sorry I don't remember whose) highlighted enough intriguing aspects of this book for me to want to try it. And funnily, I realized that this was neither a cliched story (it's a story told in a very unique form), nor was it remotely-YA (Not that the YA label would bother me, but cliched and YA together would, just like cliched and adult together.)
Seventeen-year old Nora Lindell is missing. And no one knows what happened to her. Is she alive or dead? Was she kidnapped or did she run away from home? A group of boys from her hometown who knew her, reminisce about her and try to imagine what must have happened to her. Into their story of infinite possibilities, their teenage lust and desires also weave in. Over time, as they become older, graduate, get married and have kids, they remain as obsessed with her disappearance as ever. That essentially is what the book is about. I know that's why I wasn't too curious about it - the synopsis didn't carry any thing in it that would intrigue me.
But, once I started reading this 150-page book, it was a delicious treat! Hannah Pittard's writing is wonderful and engaging! It's the kind of writing your eyes stay glued to, and the thought of stopping never enters your mind. If I had to keep reading a book that oozed with sex and lust, albeit the non-erotic type, the writing should be better than par, since I usually have negligible patience for those elements in my books.
The narrators of the book are a group of boys who talk in the plural. There are two threads followed in this book - one is the present, as the boys age into men and get settled into their lives. Not all the boys enter the idyllic suburban family life - some don't marry. The other thread follows Nora, as the boys try to construct a possible outcome for her. Some of their guesses are driven by certain events and sightings that actually happen, and as I kept reading, I was desperately hoping that some of the nicer possibilities were true. Do we eventually find out what happened to Nora? I don't want to spoil that for you.
The Fates will Find their Way made me think about trust and truth. I realized how easy it was to construct a whole new story for someone you don't know or someone who went missing. How many people we have come across over these years that we don't meet or see anymore? That quiet girl at school. That boy who moved out of our town one year. That teacher who married and moved to a different state. So many threads that intertwine with ours for an instant and then depart. What happened to them eventually? We really never know, but we can imagine. And that's what these boys did. Moreover, if it is so easy to make a story, who do we trust? How do we know if someone's telling the truth? All their stories are so richly developed that any of them could be true. And that's where the author's writing really succeeds - she spends a good number of sentences on putting forward each possibility and questions, why not?
What however didn't work for me, is how the male gender is heavily stereotyped in this book. The narrators are all lusting after Nora and, once she disappears, after her sister Sissy. Whether they are 17 or 40, it didn't matter - they were terribly obsessed with sex, its presence/absence or role in a relationship, who's cheating on whom, who's leaving whom - there were times when I felt horribly uncomfortable being in the minds of several boys/men. I thought that was highly unfair. The author seemed to be deriving some kind of message in this - the teen boys happily think of sex, and in their later years (especially after they have kids), they are guilty of having entertained such thoughts - almost as if seeming to suggest that they were bad people for thinking what any normal teen would think. I would be interested in reading the opinions of the male readers of this book - the few I did come across have been pretty disappointed with this book. And that's a pity - because the writing is really wonderful, if only this aspect was tweaked better.
I would still recommend this one, even in spite of that one disappointment, because I believe Hannah Pittard's writing deserves more readers. I remember I felt the same way about The Uncoupling (review yet to come). I wasn't too impressed with the story, but the writing was magnificent. I can't wait to see what Hannah comes up with next.
Seventeen-year old Nora Lindell is missing. And no one knows what happened to her. Is she alive or dead? Was she kidnapped or did she run away from home? A group of boys from her hometown who knew her, reminisce about her and try to imagine what must have happened to her. Into their story of infinite possibilities, their teenage lust and desires also weave in. Over time, as they become older, graduate, get married and have kids, they remain as obsessed with her disappearance as ever. That essentially is what the book is about. I know that's why I wasn't too curious about it - the synopsis didn't carry any thing in it that would intrigue me.
But, once I started reading this 150-page book, it was a delicious treat! Hannah Pittard's writing is wonderful and engaging! It's the kind of writing your eyes stay glued to, and the thought of stopping never enters your mind. If I had to keep reading a book that oozed with sex and lust, albeit the non-erotic type, the writing should be better than par, since I usually have negligible patience for those elements in my books.
Nora Lindell was gone. And, with Trey Stephens in jail, he was gone, too, in a way. By this time, we'd already lost Minka Dinnerman and Mr. Lindell as well (a car crash and cancer, respectively). It seemed, some days, that life was nothing more than a tally of the people who'd left us behind.(How that last sentence moved me!)
The narrators of the book are a group of boys who talk in the plural. There are two threads followed in this book - one is the present, as the boys age into men and get settled into their lives. Not all the boys enter the idyllic suburban family life - some don't marry. The other thread follows Nora, as the boys try to construct a possible outcome for her. Some of their guesses are driven by certain events and sightings that actually happen, and as I kept reading, I was desperately hoping that some of the nicer possibilities were true. Do we eventually find out what happened to Nora? I don't want to spoil that for you.
The Fates will Find their Way made me think about trust and truth. I realized how easy it was to construct a whole new story for someone you don't know or someone who went missing. How many people we have come across over these years that we don't meet or see anymore? That quiet girl at school. That boy who moved out of our town one year. That teacher who married and moved to a different state. So many threads that intertwine with ours for an instant and then depart. What happened to them eventually? We really never know, but we can imagine. And that's what these boys did. Moreover, if it is so easy to make a story, who do we trust? How do we know if someone's telling the truth? All their stories are so richly developed that any of them could be true. And that's where the author's writing really succeeds - she spends a good number of sentences on putting forward each possibility and questions, why not?
What however didn't work for me, is how the male gender is heavily stereotyped in this book. The narrators are all lusting after Nora and, once she disappears, after her sister Sissy. Whether they are 17 or 40, it didn't matter - they were terribly obsessed with sex, its presence/absence or role in a relationship, who's cheating on whom, who's leaving whom - there were times when I felt horribly uncomfortable being in the minds of several boys/men. I thought that was highly unfair. The author seemed to be deriving some kind of message in this - the teen boys happily think of sex, and in their later years (especially after they have kids), they are guilty of having entertained such thoughts - almost as if seeming to suggest that they were bad people for thinking what any normal teen would think. I would be interested in reading the opinions of the male readers of this book - the few I did come across have been pretty disappointed with this book. And that's a pity - because the writing is really wonderful, if only this aspect was tweaked better.
I would still recommend this one, even in spite of that one disappointment, because I believe Hannah Pittard's writing deserves more readers. I remember I felt the same way about The Uncoupling (review yet to come). I wasn't too impressed with the story, but the writing was magnificent. I can't wait to see what Hannah comes up with next.
I borrowed this book from my library.
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